Tuesday, 12 March 2013

C(h)ur(ch)se

George’s feet pounded the pavement, five steps behind the rest of his class mates. Smoked poured from his mouth with each breath, despite the sun’s attempts at spring, and he shoved his hands into his pockets. His neck and back ached in protest from his hunched walk, his last defence since his coat had failed him. He blocked out the classes chatter. George found it hard to believe that they could get this excited over leaving the confines of a classroom, especially when they were on their way to a church.
As the group trailed behind their lecturer, the pavement gave way to a cobble stone street so that even George’s body was unnerved. All too soon the Church’s spire loomed above them all, casting a heavy shadow over the industrial street cleaners parked outside. If George had looked up, he might have shared in the wonderment of those around him; instead he pulled out his phone and shared with Facebook how he’d rather be in bed.
The church’s grand metal doors were laden with iron flowers and through the glare on his glasses, caught George’s eyes. He ran his thick fingers over the petals as he made his way inside, only to be greeted with donation boxes and ‘home made marmalade’ sales. George snickered and shrugged off the idea of a religious awakening happening today. Even leaflets had a price on them.
Candle holders stood empty as electric bulbs lined the heavy stone walls, accompanied by cheap sets of speakers replacing the choir. Deciding to explore alone, George came across a prayer ‘pin board’. Rita prayed for Samual to find acceptance in his life. Dave prayed for world peace. Barbara prayed for Pistorius’s girlfriend’s safe passage to heaven. George prayed for cheap vodka and unholy women, and then laughed to himself as he put the provided pen back down.

Across the room a note from the organ drowned out the tacky speakers, shocking the whole group into silence. George carried on his inspection, making his way to the gravestones on the wall. Most were illegible in places, the stone crumbling away from the wall. George had no interest in who these people were or how they came to be there, he turned his back to them, and leant against the wall. A piece of a skull, carved into the gravestone, gave way as he did so and shattered at his feet. Panicked, he swept it under the carpet, glad his classmates were still occupied with the organ... 

Wednesday, 20 February 2013

Black Mirror, a review

For those expecting the subtle tameness of last week’s Be Right Back, Charlie Brooker’s latest instalment of Black Mirror might need a ‘Warning’ sign or at least some sort of emotional preparation to get viewers through unscathed.
Instead, we’re thrown straight into confusion as the main character, Victoria (Lenora Crichlow) wakes up in a chair surrounded by pills, wrists bandaged and no recollection of how she got there or who she is. The bewilderment is dragged out slightly with Victoria slowly scanning herself and the room but it adds to the audiences need for understanding. The only clue to foul play is the strange symbol on the room’s TV, which, as the show progresses, keeps reappearing.
As Victoria finally ventures outside we’re barely allowed a few moments to take in the estate’s residents, creepily filming her every move through their windows, before a masked man aims a shotgun at her head and chases her through the streets. From here on out all hell breaks loose and the show suddenly becomes an apocalyptic style survival story with camera wielding ‘zombies’ following Victoria as she tries to evade numerous crazed murderers.
Up until this point Brooker definitely goes with the ‘less is more’ idea in terms of dialogue. Victoria is the only character to speak, only sobbing and wailing, ‘who am I?’ and ‘Can you help me?’ over and over. Crichlow plays the part extremely well, out-acting everyone else as her screams become more desperate and terrorized, literally making you uncomfortable as a voyeur.
It’s a rebel survivor (Tuppence Middleton) who helps to move the story on in terms of dialogue and purpose as she plans to destroy a transmitter at White Bear, which is supposedly causing the epidemic. However, Middleton’s decisive and brave manner starts to create impatience with Victoria. I found myself wanting to shake her into action, instead of allowing herself to be dragged around as she blubbers.
At this point, the plot seems pretty straight forward and reminiscent of Derren Brown’s Apocalypse. Until the plot twist his you in the face like an atomic bomb.
 Victoria is instantly flipped from the character of pity to a Myra-Hindley style villain, serving out a twisted sentence at a “Punishment Park” which is White Bear. Her ordeal is a setup she is doomed to repeat after she filmed the murder of a young child, carried out by her fiancé. The strange reoccurring symbol? One of her fiancé’s tattoo’s. The Zombie like camera men?  Paying visitors symbolising her past crime. Each night her memory is painfully removed via electric shock therapy, an ordeal we are forced to watch.
The rug-pull twist finds power in its relation to real-life murders and the public’s thirst for punishment. It leaves you fearful of how far the Justice System could go, leaving you to question: would we revel in the punishment or see the cruelty? It even plants a nasty squirm in your stomach as you contemplate Brooker’s attack on how often we all choose to see life through a camera lens, hoping for a YouTube hit, than with empathy and morals. 
Once again, Brooker shows strong writing, intelligent ideas and an uncanny knack for creating a troubling reflection of society.

Score: 8.5/10

Friday, 18 January 2013

The rats, a noir piece

They say you must be crazy to walk the Chicago streets without some lead in your pockets. Maybe I am insane. Maybe it’s just this city; there ain’t a decent man in sight.

Thursday, 13 December 2012

Post Mortem, a painting by Lewis 1964

I stumble through Bosky paths,
Faces clutched deeply By the mocking darkness. 

I feel through solid Black,
Blinded by piñatas.
A xylophone counting my steps,
Striking off my seconds.

Fish with Bulbous eyes and tiger print scales,
Bleached rabbits with racoon ears,
Kiwi Birds with no Beaks,
and constantly, the B.

All watch as B leads me astray:

Death By B.

Sunday, 9 December 2012

Standing Female Nude with Blue Scarf, a painting by Tolstoy

I stand, nipples blooming from dying buds,
Erect and laced with goose bumps, untouched.
Once supported by slender shoulders,
Now held by man’s strength.

My plump bottom aches and juts,
Awaiting inexistent fingertips.
My muscles stretch,
Forming my missing half.

A pot-belly clings to me,
brewing butterflies.
A trail for grazing lips,
unwalked.

I peer down to my thickening legs:
Thick trunks I envisioned
wrapped around my own,
still propped by dainty knees.

My eggs begin to burst and crack,
slipping between my closing folds,
spilling womanhood.

I cast aside my scarf,
My change bare for hissing eyes,
My shame is their.


Saturday, 8 December 2012

Early in the morning a painting by Rosenquist

Pop your pill and pluck each of my segments
Pluck with darkened fangs and scrape my rind.
Legs escape logic as city’s fall through thin slits,
                                                         Sew me whole.

Scrapers dance along my stomachs edge,
windows crack to smell my thoughts.
Pull my stitching and lay me open.
Spill my nectar, colour the earth with my pulp.

Float from the barren floor sodden with my sap,
to the sky, torn indecisively,

                                            see what my acid does. `

Friday, 7 December 2012

“I am the hero of Africa”- Idi Amin

Rorschach.
                                                 Rorschach tells me:
                                                                                                white black white black;
                                                                              white spills
                                                                                              to black.
                                                        crocodile strains                             to snap cross,
                                                                                           devour.
                                                Victorious arms stretch              to shrieking cat in eyeball,
                                                                                                                       Almond.
                                                              Butchery faded white in black,
                                                                                                  Africa’s hero takes his throne:
                                                White dot black                            white dot black
                                                                                                                       SOS